Find out more about studying Disability Studies MA at Liverpool Hope University? We've gathered all the key details, entry requirements, modules, fees, and more. Take the next step by booking an open day to explore it for yourself.
MA - Master of Arts
Hope Park Campus
Full Time
Jan 2028
1 Year
Disability Studies is a relatively new but rapidly growing academic discipline, as illustrated by the international proliferation of courses, events, networks, journals, book series, monographs, edited collections, and so on. Though drawing on this progress substantially, the Disability Studies MA differs from similar programmes insofar as it places particular emphasis on cultural issues. We are not only interested in the policies, prejudices, and professions around disability but also its representation in literature, media, film, art and so on. Liverpool Hope University is particularly well suited as a host for this programme on many counts. Most obviously, and indeed most importantly, we have a wealth of specialist staff and resources. We have a number of experts in Disability Studies, award winning tutors, and internationally recognised scholars and researchers. What is more, the regional, national, and international profile of the programme is enhanced greatly by the Centre for Culture & Disability Studies–and, by extension, the Journal of Literary & Cultural Disability Studies, the Literary Disability Studies book series, the on-going seminar series, and the International Network of Literary & Cultural Disability Scholars–that is housed at Liverpool Hope University.
Focusing on critical theory from the modern and postmodern eras, this module provides a basis for an interrogation of Disability Studies and Special Educational Needs. From Freud to Foucault, Goffman to Garland-Thomson, Derrida to Davis, McRuer to Murray, and so on, the module follows the progression of critical disability theory from the early twentieth century to the present day. Though explicitly theoretical, the content of the module is grounded in experiential knowledge. Concepts such as stigma, the normate, panopticism, normalcy, narrative prosthesis, dismodernism, crip theory, aesthetic nervousness, autistic presence, and the metanarrative of blindness are explored in relation to social, cultural, and individual attitudes toward impairment, disability and education.
Disability studies, according to many definitions, originated in the social sciences. It is, however, also highly relevant to the humanities. Indeed, Disability Studies has great multidisciplinary and interdisciplinary potential (not to mention credentials). The representation of disability is important in culture as well as in society. In probing this fact, the module brings together interests in Disability Studies and for instance, art, literature, culture, literacy, film, media, and music.
The relationship between disability and professional practice can be both problematic and productive. This relationship is explored in the module as an array of perspectives and expertise is considered. Training, teaching, therapy, legislation, and so on, are all manifestly praiseworthy but nonetheless warrant critical engagement. How and by whom is disability voiced within the professions? These are some of the many provocative questions that the module explores in relation to the professional context.
Disability has been conceptualised in many ways and for many purposes. In the past it tended to be non-disabled people who were responsible for the conceptualising and theorising of disability. In recent years, however, thanks largely to disability activism, disabled people have taken control of the ways in which disability is modelled. In order to gain a better idea of what is meant by disability, the module takes a critical journey through religious, charity, medical, social, affirmative, cultural, and other models of disability.
With a history extending more than 175 prestigious years, Liverpool Hope University has developed a strong tradition of ...